Maya Imagery, Architecture, and Activity: Space and Spatial Analysis in Art History
Edited by Maline D. Werness-Rude and Kaylee R. Spencer
University of New Mexico Press, 2015
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs.
In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.
ABOUT THE CONTRIBUTORS
Maline D. Werness-Rude is an assistant professor of art history at Eastern Connecticut State University.
Kaylee R. Spencer is an associate professor of art history and the chair of the art department at the University of Wisconsin–River Falls.
6 x 9 in. 432 pages 50 halftones, 121 drawings
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Language Contact, Inherited Similarity and Social Difference: The Story of Linguistic Interaction in the Maya Lowlands, by Danny Law (Department of Linguistics, The University of Texas at Austin). Current Issues in Linguistic Theory, 328. John Benjamins Publishing Company, Amsterdam.
This book offers a study of long-term, intensive language contact between more than a dozen Mayan languages spoken in the lowlands of Guatemala, Southern Mexico and Belize. It details the massive restructuring of syntactic and semantic organization, the calquing of grammatical patterns, and the direct borrowing of inflectional morphology, including, in some of these languages, the direct borrowing of even entire morphological paradigms. The in-depth analysis of contact among the genetically related Lowland Mayan languages presented in this volume serves as a highly relevant case for theoretical, historical, contact, typological, socio- and anthropological linguistics. This linguistically complex situation involves serious engagement with issues of methods for distinguishing contact-induced similarity from inherited similarity, the role of social and ideological variables in conditioning the outcomes of language contact, cross-linguistic tendencies in language contact, as well as the effect that inherited similarity can have on the processes and outcomes of language contact.
Availiable from the John Benjamins Publishing Company
An Upcoming Publication from Yale University Press:
THE LIFE WITHIN: CLASSIC MAYA AND THE MATTER OF PERMANENCE
by Stephen Houston
Coming in March 2014
For the Classic Maya, who flourished in and around the Yucatan peninsula in the first millennium AD, artistic materials were endowed with an internal life. Far from being inert substances, jade, flint, obsidian, and wood held a vital essence, agency, and even personality. To work with these materials was to coax their life into full expression and to engage in witty play. Writing, too, could shift from hieroglyphic signs into vibrant glyphs that sprouted torsos, hands, and feet. Appearing to sing, grapple, and feed, they effectively blurred the distinction between text and image.
In this first full study of the nature of Maya materials and animism, renowned Mayanist scholar Stephen Houston provides startling insights into a Pre-Columbian worldview that dramatically contrasts with western perspectives. Illustrated with more than one hundred photographs, images, and drawings, this beautifully written book reveals the Maya quest for transcendence in the face of inevitable death and decay.
A New Publication from Dumbarton Oaks:
PLACE AND IDENTITY IN CLASSIC MAYA NARRATIVES
by Alexander Tokovinine
Dumbarton Oaks Pre-Columbian Art and Archaeology Series
Understanding the ways in which human communities define themselves in relation to landscapes has been one of the crucial research questions in anthropology. Place and Identity in Classic Maya Narratives addresses this question in the context of the Classic Maya culture that thrived in the lowlands of the Yucatan peninsula and adjacent parts of Guatemala, Belize, and Western Honduras from 350 to 900 CE. The Classic Maya world of numerous polities, each with its own kings and gods, left a rich artistic and written legacy permeated by shared aesthetics and meaning. Alexandre Tokovinine explores the striking juxtaposition of similar cultural values and distinct political identities by looking at how identities were formed and maintained in relation to place, thus uncovering what Classic Maya landscapes were like in the words of the people who created and experienced them. By subsequently examining the ways in which members of Classic Maya political communities placed themselves on these landscapes, Tokovinine attempts to discern Classic Maya notions of place and community as well as the relationship between place and identity.
Coming in July 2013 from The University of Texas Press
The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak
by Mary Ellen Miller and Claudia Brittenham
The blurb from The University of Texas Press website:
Located within the deep tropical rainforest of Chiapas, Mexico, the Maya site of Bonampak is home to the most complete and magnificent mural program of the ancient Americas. In three rooms, a pageant of rulership opens up, scene by scene, like pages of an ancient Maya book. Painted c. AD 800, the murals of Bonampak reveal a complex and multifaceted view of the ancient Maya at the end of their splendor during the last days of the Classic era. Members of the royal court engage in rituals and perform human sacrifice, dance in extravagant costumes and strip the clothing from fallen captives, acknowledge foreign nobles, and receive abundant tribute. The murals are a powerful and sophisticated reflection on the spectacle of courtly life and the nature of artistic practice, a window onto a world that could not know its doomed future.
This major new study of the paintings of Bonampak incorporates insights from decades of art historical, epigraphic, and technical investigation of the murals, framing questions about artistic conception, facture, narrative, performance, and politics. Lavishly illustrated, this book assembles thorough documentation of the Bonampak mural program, from historical photographs of the paintings—some never before published—to new full-color reconstructions by artist Heather Hurst, recipient of a MacArthur award, and Leonard Ashby. The book also includes a catalog of photographs, infrared images, and line drawings of the murals, as well as images of all the glyphic texts, which are published in their entirety for the first time. Written in an engaging style that invites both specialists and general readers alike, this book will stand as the definitive presentation of the paintings for years to come.
Ordering information can be found at the The University of Texas Press.