Tortuguero’s Monument 6 continue to be the focus of a good deal of scrutiny, and not just among epigraphers and Mayanists. Many of course claim that the last few glyphs of its long inscription contain the only record of what the ancient Maya had to say or prophesize about the coming end of the Bak’tun in late 2012. I’m partly to blame for the attention given to Monument 6, after some years ago when I posted a brief, off-the-cuff analysis of each glyph on a listserv, where I labelled the passage as the “Tortuguero Prophecy” (see below). Little did I know back then this would soon help set off a frenzy on many New Age websites, associated forum discussions, and even a few book chapters.
Figure 1. The final section of Tortuguero Monument 6. See Figure 4 for a general overview of the text's original form. (Drawing by D. Stuart)
To many, the handful of glyphs at the very end of Monument 6’s text continues to form the linchpin for understanding what the ancient Maya thought about the end of the Bak’tun in 2012, even as the readings of the partially damaged glyphs continue to be discussed and debated. Most recently, Sven Gronemeyer and Barbara Macleod presented their own detailed epigraphic analysis (Gronemeyer and Macleod 2010), and in my recent book The Order of Days (Stuart 2011) I spend a few pages on the topic, without delving into much glyph-by-glyph detail (since the book was intended for a general, non-speacialist readership). One prominent New Age author on 2012 seems especially frustrated with the ongoing discussions among epigraphers — me especially — and the inevitable changes of interpretation that come as a result. So here I take the opportunity to clarify my most recent thinking on the significance of the Tortuguero passage.
On the pages of this weblog Steve Houston offered an important insight into the closing passage of Monument 6, noting that the final glyphs might not pertain to the Bak’tun ending after all, as I and others had earlier supposed. He posited that the closing statement instead serves to reiterate a key dedication episode highlighted earlier in the inscription. I’ve pondered Steve’s cogent reassessment for some time, and in The Order of Days I took a neutral stance on the matter, not knowing quite what to think. Much to the chagrin of some adamant 2012ers, I nonetheless spent a few paragraphs downplaying the significance of Monument 6 in general, given the extensive damage and ambiguities of the pertinent glyphs in the final passage. Upon more reflection, and after looking and a number of comparative examples, I now can lend my full support for Steve’s analysis, as well as his assertion that no prophetic statements about 2012 likely exist in Monument 6’s inscription.
The structure of this text was the topic of some detailed analysis and discussions earlier this year during the Advanced Hieroglyphs workshop led by Danny Law, held at the 2011 Maya Meetings in Austin. While there it became clear that Steve Houston’s analysis is correct, and that the final passage serves as a re-statement or elaboration of the inscription’s main topic, the dedication of a shrine, tomb or some other structure where Monument 6 was said to have been found. (Rumors at the time, Ian Graham once told me, stated that it had been found covering or blocking a tomb entrance). In other words, the mention of 184.108.40.206.0 4 Ahaw 3 K’ank’in on Tortuguero Monument 6 is an isolated chronological anchor within a larger narrative, projected into the future in order to make a rhetorical point about the nature of the main historical event. The last few glyphs of the text, rather than being wedded to the 220.127.116.11.0 section, should be viewed instead as comprising a record of a contemporary episode — the building dedication — that’s the discursive focus of the entire inscription.
Closing the Narrative Loop
For those who are unfamiliar with the more technical aspects of Classic Maya literary structure and discourse, I’ll illustrate this concept using a modern parallel. Let’s imagine that a scribe living in New York back in the year 1950 wanted to immortalize some great happening of that year on a stone monument. One momentous event of the time was the New York Yankees’ four-game sweep of the Phillies in that year’s World Series (it pains me a bit to write this today, being a traumatized Red Sox fan). If our imaginary scribe were to use the particular ancient Maya rhetorical device under discussion, he or she might say something like this: “On October 7, 1950, the New York Yankees defeated the Philadelphia Phillies to win the World Series. It happened 29 years after the first Yankees victory in the World Series in 1921. And so 50 years before the year 2000 will occur, the Yankees won the World Series” (little would the scribe know, unless he was a prophet, that the Yankees would win it all again in 2000). The last sentence of this commemorative statement is a projection forward to a date of calendrical importance — the fifty-year anniversary as well as the near-start of the new millennium — but notice how the writer swings back to highlight the real event at hand — the 1950 sweep. This is precisely how many ancient Maya texts are structured, including Tortuguero’s Monument 6.
Figure 2. The closing passage of Palenque's Tablet of the Foliated Cross, linking the main event of the tablet to the future K'atun ending 18.104.22.168.0. Photograph by Jorge Perez de Lara.
Let’s look at some specific cases of this text structure in Maya inscriptions. First we can turn to the closing glyphs from the Tablet of the Temple of the Foliated Cross at Palenque (Figure 2). The single main event of this key inscription, as well as it’s two partners on nearby temples, highlights a ritual burning of something called a chitin, perhaps refering to a sweatbath (Houston 1996) or a kiln for ceramic effigies of deities (Stuart 2005). This occurs on 22.214.171.124.16 2 Kib 14 Mol. The last nine blocks of the text serve to anchor this date to the soon-to-come K’atun ending 126.96.36.199.0 8 Ahaw 8 Woh.
4-12-WINIK-ji-ya / 1-HAAB’ / u-to-ma / 8-AJAW 8-CHAK-AT / U-13-WINIKHAAB’? / i-u-ti 2-“KIB” / i-PAT-la-ja / U-1-TAHN-na / K’INICH-KAN=BAHLAM K’UH(UL)-BAAK-AJAW
chan(-eew?) lajcha’ winikijiiy huun haab’
ut-oom waxak ajaw waxak(-te’) chakat u uxlajuun winikhaab'(?)
i uht cha’ ?(“kib'”) i patlaj u huuntahn k’inich kan b’ahlam k’uhul b’aakal ajaw.
“Four-and-twleve score days and one year, before Eight Ahaw the Eighth of Chakat, when the 13th K’atun (188.8.131.52.0 8 Ahaw 8 Woh) will occur, then happens 2 Kib (184.108.40.206.16 2 Kib 14 Mol) when the precious one(s) of K’inich Kan Bahlam, the Holy B’aakal Lord, is/are fashioned.”
This closing passage follows a lengthy description of the significance of the date 2 Kib 14 Mol, taking up all of the previous two columns of the inscription. The purpose of this closing statement is project forward in time to a notable Period Ending and restate the narrative’s focus using somewhat different terms or supplemental information (the king’s relationship to the god(s), in this instance).
From Copan we have a text that bridges present and future over a much greater span of time. Stela J (not illustrated) was dedicated on the period ending 220.127.116.11.0 7 Ahaw 3 Kumk’u, and its text mentions in its final section a projection forward to the Bak’tun ending 10.0.0.0.0 7 Ahaw 18 Sip. No prophesy or prediction is offered, only a simple statement that “the 10th Bak’tun will end” (tzuhtz-j-oom u lajuun pik). The scribe does so because the upcoming Bak’tun ending, still centuries in the future, will be a recurrence of 7 Ahaw, establishing a “like-in-kind” connection on the cosmic clock. A number of monuments at nearby Quirigua do the very same thing, on occasion projecting to similar Ahaw anniversaries that will occur eons forward in time. As we will see, the same is basically true on Monument 6, with “4 Ahaw” being the common denominator between the narrative “present” and a distant future.
Figure 3. The final passage from Naranjo, Altar 1. The glyphs that project forward from 18.104.22.168.0 to the future Bak'tun ending 10.0.0.0.0 are highlighted. Drawing by I. Graham, CMHI.
As Steve Houston has noted, Naranjo’s Altar 1 does much the same thing, and shows even stronger parallels to what we will soon discuss regarding Tortuguero’s Monument 6 (Figure 3). The celebrated event of this text is a Period Ending on 22.214.171.124.0, contemporaneous with the inscriptions carving and dedication during the reign of the important early king known to many as “Aj Wosaj” (a misnomer, probably, for what is written as AJ-?-sa-[ji]).
U-K’AL-TUUN-ni / 5-AJAW / 3-IK’-SIHOOM / U-TZUTZ-wa / U-7-WINIKHAAB? / AJ-?-sa / 3-11-PIK-AJAW / ya-AL / IX-?-CHAN / a-bu-lu-pa-a / U-MIHIIN / ?-CHAN-AHK / 9-TZAK-bu-AJAW / 0-K’IN / 0-WINIK-0-HAAB / 12-WINIKHAAB? / TZUTZ / jo-mo / U-10-PIK / 7 AJAW / 18-CHAK-AT / u-to-ma / u-CHOK-? / AJ-?-sa / 5 AJAW / 3-IK’-SIHOOM
u k’altuun jo’ ajaw ux(-te’) ik’sihoom
u tzutzuw u wuk winikhaab'(?) aj ? ux b’uluch pik ajaw
y-al ix ? abulpa'(?) chan, u mihin ? chan ahk, b’olon tzakab ajaw
mih k’in mih winik mih haab’ lahcha’ winikhaab’
tzuhtz-j-oom u lajuun pik
(ta) wuk ajaw waxaklajuun chakat, utoom
u chok aj ?
(ta) jo’ ajaw ux(-te’) ik’sihoom
“(It is) the stone-binding on Five Ahaw the Third of Woh, when ‘Aj Wosaj’, the three-eleven pik lord, completes the eighth K’atun (126.96.36.199.0). He is the child of the woman Ix ? Chan B’ulpa’, and the child of the man ? Chan Ahk, the dynastic lord. (It is) twelve-score years before the tenth B’ak’tun will be finished (on) 7 Ahaw 18 Sip (10.0.0.0.0) ,when ‘Aj Wosaj’ casts incense(?) on Five Ahaw, the Third of Woh (188.8.131.52.0).”
Here the subject of the ut-oom verb is the date 7 Ahaw 18 Sip, which is “fronted” beforehand. The chok or “scattering” verb appearing after ut-oom is not a future event, for it initiates a new phrase associated with the earlier base of the forward calculation. This is the ritual that was performed by the contemporary Naranjo ruler on 184.108.40.206.0
Figure 4. The Original Form of Tortuguero, Monument 6. (Main section drawing by I. Graham, right wing by D. Stuart)
Tortuguero’s Main Event
Analysis of the entire Monument 6 inscription clearly shows that it’s main thrust is the ritual dedication of a tomb or shrine in the 7th century, specifically on the day 220.127.116.11.18 9 Etz’nab 6 K’ayab (January 11, 669). The record of this episode takes up the majority of text’s overall space, running from block I2 through to the very end. That’s nearly half of the entire inscription. In blocks I6-I8 is the initial portion of this commemoration, stating that some 25 years after B’ahlam Ajaw’s inauguration there was a “house-burning” (el-naah) ritual on the 9 Etz’nab day just mentioned. It goes on to say in blocks J8 through J10 that this occurred just over a year (1.8.18) after the period ending 18.104.22.168.0 4 Ahaw 13 Mol. Such side references to period endings are common in texts such as this, and they serve again to contextualize the focus event by relating it to the comsic mechanisms of the Long Count. The 4 Ahaw station for this nearby PE was especially noteworthy given its importance in Maya cosmology and time keeping, and no doubt the mention of the future occurrence of 4 Ahaw on 22.214.171.124.0 4 Ahaw 3 K’ank’in later on Monument 6 is designed to reflect an essential symmetry between present and future.
Returning to the Tortuguero text, blocks I11 through J13 to record more about the building dedication, giving the buidling or shrine’s proper name at I12 and J12. These follow a highlighting marker (a-AY?-ya) at I11 and a positional verb at J11 reading i-e-ke-wa-ni, for ek-wan or hek-wan, a term difficult to link to any identifiable root in Mayan languages. Evidently this episode had something to do with a “positioning” of the named edifice, at the same time the “house-burning” dedicatory rite occurred. Much of the rest of this passage is missing, but it surely mentioned the ruler B’ahlam Ajaw before the surviving emblem glyph (I16). His parents are named thereafter in blocks J16 through K3.
So, here we come to the thorny part of the text. The pivotal element here is the verb u-to-ma (block O4) spelling the future participle utoom, “it will happen.” This comes after the date and before the damaged glyphs that close the entire text. The question is what, exactly, is the subject of this verb? Gronemeyer and Macleod believe that the subject must be the following glyph block, which is in turn attached to those that follow. In this sceanrio the final glyphs naturally would contain some description of a happening associated with 2012, as I also suggested some years ago: “…126.96.36.199.2 (before) the thirteenth Bak’tun will end (on) 4 Ahaw 3 K’ank’in, EVENT2 will happen” (EVENT2 being a 2102 occurence). By contrast, Steve Houston’s analysis sees an important break after utoom in the discursive structure of the inscription, whose subject must simply be the future date and Bak’tun ending itself. It serves to reinforce the temporal position of the date just mentioned in order to bring the reader back to the narrative present. In this way the glyphs that follow utoom return to the focused event of the larger narrative — i.e., the house dedication. In other words the subject of utoom is understood to be the date, which has been “fronted” syntactically, as in: “…188.8.131.52.2 (before) the thriteenth Bak’tun will end (when) 4 Ahaw 3 K’ank’in will happen, then EVENT1.” Here the restatement of EVENT1, the shrine dedication, does not include a mention of the earlier Calendar Round 9 Etz’nab 6 K’ayab. This should not be seen as a problem, however, as other texts are known to do the same.
My purpose here has not been to go over the damaged final glyphs of Monument 6, trying to determine their original forms and reason out what the passage originally might have said. Gronemeyer and Macleod have recently done so in exhaustive and admirable detail, even positing a reconstruction of a phrase describing a future “investiture” of the deity Bolon Yookte’ K’uh. Although I have some questions about the specifics of their analysis, my real intent has been to focus more on the question of whether those glyphs are really at all relevant to 2012 anyway. In doing so I follow closely on the points Steve Houston made a number of months ago, including his claim that those enticing glyphs probably don’t say anything at all about 2012 and its meaning to the ancient inhabitants of Tortuguero. For the reasons given here, I think the evidence seems fairly inescapable that Steve was correct.
Stepping back a bit, it’s important to reiterate that Monument 6 never featured the 2012 period ending, except to refer to the future Bak’tun ending in order to temporally orient a more significant here-and-now happening of Tortuguero’s local history. Above all — and not surprisingly given what we know about Maya texts — Monument 6 was a lengthy document on the historical and ritual life of the local ruler B’ahlam Ajaw, highlighting the building and dedication of some important ritual structure he commissioned. I have no doubt that others will continue to focus on Monument 6 for its supposed prophecy about 2012, but they would probably be misguided in doing so.
* * *
ADDENDUM: Here’s my original post of April, 2006, from the UTMesoamerica listserv. Note that this reflects my mistaken belief at the time that the Bolon Yookte’ K’uh reference on Monument 6 pertained to the Bak’tun ending.
As promised here’s a quick translation of the final passage of
Tortuguero Monument 6, recording the 2012 Bak’tun ending:
Tzuhtz-(a)j-oom u(y)-uxlajuun pik
(ta) Chan Ajaw ux(-te’) Uniiw.
Y-em(al)?? Bolon Yookte’ K’uh ta ?.
“The Thirteenth ‘Bak’tun” will be finished
(on) Four Ajaw, the Third of Uniiw (K’ank’in).
? will occur.
(It will be) the descent(??) of the Nine Support? God(s) to the ?.”
This is it. The term following uht-oom is the main puzzle, and largely effaced. The “descent” reference is highly tentative, too. The enigmatic deity Bolon Yookte’ K’uh has been known for some time from many sources, and I suspect that he (or they) has some tangential relationship to the Principal Bird Deity, as well as war associations. Interestingly, he is a protagonist in the deep time mythology of Palenque, as recorded on Palenque’s Temple XIV tablet. A long-lasting character who’s still around somewhere waiting, I suppose.
– Dave S.
Houston, Stephen. 1996. Symbolic Sweatbaths of the Ancient Maya: Architectural Meaning in the Cross Group at Palenque, Mexico. Latin American Antiquity 7(2):132-151.
________________. 2008. What Will Not Happen in 2012. Maya Decipherment weblog. https://decipherment.wordpress.com/2008/12/20/what-will-not-happen-in-2012/
Gronemeyer, Sven, and Barbara Macleod. 2010. What Could Happen 2012: A Re-Analysis of the 13-Bak’tun Prophecy on Tortuguero Monument 6. Wayeb Notes Number 34. http://www.wayeb.org/notes/wayeb_notes0034.pdf
Houston, Stephen D. 1996. Symbolic Sweatbaths of the Maya: Architectural Meaning in the Cross Group at Palenque, Mexico. Latin American Antiquity 7(2):132-151
Stuart, David. 2005. The Palenque Mythology. Sourcebook for the 2005 Maya Meetings. Austin: The Mesoamerica Center, Department of Art and Art History, University of Texas at Austin.
_____________. 2011. The Order of Days: The Maya World and the Truth about 2012. New York: Harmony Books.